Description
Overview
The AH‑DLIVE‑S3 is a digital mixing console “surface” (control surface) from Allen & Heath’s dLive S‑Class line. It’s designed to pair with a MixRack (or audio engine) to give you a full digital mixing system. As a “surface-only” mixer, it offers advanced control, routing, and flexibility in a relatively compact footprint — ideal for live concerts, touring, houses of worship, theaters, and complex productions where you need many inputs, outputs, and flexible mix control.
It combines a tactile control surface (motorized faders, knobs, soft keys) with a 12" touchscreen and a modern, flexible user interface — giving a hybrid workflow (physical + digital) that suits complex live‑sound or studio setups.
Key Features & Specifications
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20 motorized faders, with 6 layers — providing up to 120 assignable fader strips.
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Single 12″ capacitive touchscreen with a modern touchscreen-based UI, supporting gesture controls (pinch, swipe, drag‑and‑drop).
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“Harmony UI” — the interface unifies touchscreen + wrap-around physical controls (knobs, soft keys) for smooth, intuitive workflow:
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26 (or 27) assignable SoftKeys for custom shortcuts/functions.
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3 pages of 6 assignable rotary controls for parameter tweaks.
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Dedicated multi-mode EQ view, flexible routing & widget areas (scenes, meters, FX, mixes) for quick access to key controls.
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Built‑in connectivity & routing (when used with MixRack / external I/O setup):
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8 × XLR mic/line inputs (with phantom power + fully recallable preamps).
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8 × XLR line outputs.
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Digital I/O: 2 × AES3 inputs and 3 × AES3 outputs.
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Dual redundant gigabit network links (e.g. GigaACE) to MixRack, plus redundant DX link configuration for I/O expansion.
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2 option‑I/O ports, each supporting up to 128 channels at 96 kHz (when paired with compatible I/O modules).
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Additional I/O features: network ports, Wordclock BNC I/O, video output (for display/monitoring), USB stereo recording/playback.
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Robust system architecture:
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24‑bit Delta‑Sigma ADC and DAC for high‑quality audio conversion.
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96 kHz internal processing and routing (when properly configured).
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High dynamic range, low noise and low distortion for clean signal path.
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Redundant, hot‑swappable power supply option for reliability in pro/live settings.
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Flexible workflow & user customization: assignable fader layers, virtual scribble‑strips (for naming/color‑coding channels and mixes), custom screen layouts (scenes, meters, FX, mixes), quick recall of scenes/patches — enabling efficient handling of large, complex shows.