Korg MW-2408 24-Channel Hybrid Mixer (MW2408)

Korg MW-2408 24-Channel Hybrid Mixer (MW2408)

Description

The Korg MW-2408 is a professional 24-channel hybrid analog/digital mixer designed for live sound, recording, houses of worship, theaters, and multimedia production. Combining the hands-on workflow of an analog console with powerful digital processing, the MW-2408 delivers high-headroom audio performance, intuitive operation, flexible routing, and advanced DSP features. Developed in collaboration with renowned mixer designers Greg Mackie and Peter Watts, it offers premium microphone preamps, studio-quality effects, onboard dynamics processing, and extensive mixing capabilities in a rugged, professional format.

Key Features

• 24-channel hybrid analog/digital mixer
• True 8-bus architecture for flexible signal routing
• Peter Watts-designed HiVolt™ microphone preamps with exceptional headroom
• Studio-grade one-knob compressors on all mono microphone channels
• 4-band EQ on stereo channels
• 3-band EQ with sweepable midrange on mono channels
• High-pass filter on mono inputs
• Four programmable Mute Groups for instant scene changes
• 10 Global Scene Memories for quick recall
• 20 premium Korg 32-bit digital effects
• Multiple reverb, delay, chorus, flanger, exciter, and enhancement effects
• Simultaneous use of up to 10 digital effects
• Recallable effects parameters and presets
• Digital compressor, limiter, noise gate, and graphic EQ processing
• 31-band graphic EQ with spectrum analyzer
• Feedback suppression system for live sound applications
• Dedicated Musician’s Phones Monitor section for personal monitor enhancement
• USB stereo recording and playback interface
• 32-bit internal digital signal processing
• Korg Velvet Sound™ A/D and D/A conversion technology
• Balanced XLR main outputs
• Multiple auxiliary sends and returns
• Long-life ALPS® faders and rotary controls
• Integrated test tone and noise generators
• Rack-mount capability with optional mounting kit
• Designed for live performance, recording, churches, theaters, and production environments